*data and research by harshkamal
Canvas Preperation
Objective: To prepare a smooth, durable, and receptive surface for drawing and painting.
Framing the Canvas
Sizing the Surface
A mixture of animal-skin glue (often from yak or rabbit) and calcium carbonate powder (distemper) mixture is applied to the fabric called gesso. This serves to stiffen the canvas and create a sealed surface.
Tibetan artists traditionally made their own hide glue from animal skins, but modern artists often use store-bought glue.
Gesso is applied properly on both sides of the canvas and let to dry in the sunlight.
Smoothing and Polishing
Once dry, the surface is scraped gently with a flat tool (smooth stone or rim of glass tumbler) to remove irregularities and is then polished with a smooth stone or glass implement until it achieves a fine texture.
Colour Preperation
Objective: To produce durable, vibrant, and symbolically appropriate colors using natural pigments.
Grating stone colours
Drawing the Composition
Objective: To accurately layout the visual structure based on sacred geometry and iconography.
Establishing a Grid: Using a compass, ruler, and string, a geometrical grid is drawn to define the layout and scale of the
composition.
Black lining using a thin fine brush.
Colouring
Layer by layer we fill from skies to figures.
For detailed documents and films visit www.harshkamal.com
Email: work.harshkamal@gmail.com